Publishing music using the three-impression method. Which statement best describes Orlando de Lasso's career? He worked for a time in Italy, but spent most of his later career in Germany.
Triplum Which of the following was not a popular dance in the 16th century? Priests singing psalms and the congregation singing responses. An addition of words, music, or both to an established chant.
English composers spent time in france. Pavane Who was the blind composer known for his ballete? A faster moving triplum voice than in previous motet styles. Composing for court or elite circles, but in a folk or popular style.
Dance forms The Renaissance Period of music comprises roughly which centuries? Guillaume de Machaut Late in the 14th century, composers of the papal court of Avignon and surrounding areas cultivated which type of music?
The semitone. A folk-like homophonic secular song in Italian. A man who loves an unattainable woman Who published wholesome polyphonic music for young people to rid them of their love duties and wanton song? THE 9th century The troubadours wrote and sang songs in what language? Occitan langue d'Oc The rule of St.
Traveling entertainers who juggled as well as sang. It can be sung in any mode. Enheduanna, a high priestess who composed hymns. Guillaume de Machaut Composers of the late fifteenth and early 16th centuries take what approach to the cantus firmus composition? A person will imitate the ethos of the music that they hear.
Homophonic and imitative counterpoint Palastrina's Pope Marceullus Mass is an example of which type of mass? Sermisy Which of these statements best describes women's role in Renaissance music-making? Poetic meter. Five or more voices Which statement is true about Babyloian music? Antiphons Which of the following statements is true? Renaissance musicians used many devices to try to sway listener's emotions.
The vielle was which type of stringed instrument? Busnoys favored which forms for his chansons? Social dancing for people of aristocratic backgrounds.
The last vowels in the last doxology. Loudness or softness. A book of organum begun by Leoninus and updated by Perotinus. About a 12th Which of these statements is true? Sacred polyphony, including works of Dunstable The medieval motet began as an elaboration or troping of which genre? Ambrosian chant. Hans Sachs is known for what achievement? He was the best known Meistersinger. Josquin Which feature of the Ars Nova composition was most offensive to conservatives?
Duple meter The Burgundian chanson was usually composed in which forms? Cantus-firmus mass. An interest in the individual The Italian form derived from French songs is: canzona Which of the following is not an innovation by Guido of Arezzo? Only pitch was written down The Cantigas de Santa Maria were written in which language? A few thousand texts survive, but only some have music. The Kings of France What did Martin Luther call his simplified order of service intended for use by smaller congregations?
The German Mass What is the contrafactum? A piece in which a new text, usually sacred, is added to preexisting music. Sequences A new system of rhythmic notation based on relationships among the shapes of individual notes and their duration was described in the 13th century by Franco of Cologne Early in the 1st century C.
Which genre could have words in both French and Latin? Images, written descriptions, and some instruments are all that remain.
Cipriano de Rore Which of the following statements best reflects Josquin's approach to text setting? He gave a new melody to each phrase of text to make it clear. A collection of madrigals to honor Queen Elizabeth. Dance music of the Renaissance typically used which form? They treat the melody freely, adding notes for decoration. They drop the use of chant melodies and use only secular songs.
Which of the following is true of musical style in the late fifteenth and early sixteenth centuries? The top voice became the primary voice. The top two voices were the primary voices, with other s playing supporting role s. All voices were nearly equal in rhythmic motion but the bottom voices were less singable. All voices were nearly equal and all were singable. The tenor continued to be slower-moving and was most likely played on an instrument.
A return to the Landini cadence Frequent use of the double leading tone cadence Occasional use of full triads for the closing sonority. Almost universal use of full triads for the closing sonority Formulas that reinforced the qualities of the church mode. English b. Spanish c.
Dutch d. Polish e. Greek The second entrance of a theme. A quick succession of imitative entrances c. The interval relationship between imitative entrances d.
The rhythmic relationship between imitative entrances e. A change of meter, signaling a new section. Secular but in the same highly contrapuntal style as a motet b. Similar in style to French language chansons c. Composed for court or elite circles but in a folk or popular style d. Based on Lutheran chorales e. Most likely intended for performance by instrumental ensemble Which of these compositional techniques used by Isaac can be traced to popular music in Italy?
He was preoccupied with counterpoint and paid little attention to text. Through use of imitation, his voices often sing different words simultaneously. He never allowed more than one word to be sung simultaneously. He gave a new melody to each new phrase of text to make it clear. Extended melismas often obscure the meaning of the text.
He was largely unknown in his lifetime, and his works were discovered after his death b. He worked for one employer for almost his entire career c. He worked for a series of secular courts d. He worked for a series of religious institutions e. He worked for several employers, both secular and religious Ockeghem b. Busnoys c. Isaac d.
Obrecht e. Josquin Tenor mass b. Paraphrase mass c. Plainsong mass d. Imitation mass e. Motto mass They used strophic texts, with virtually no use of the formes fixes. Most were ballades or rondeaux. Most were in refrain forms devised by Josquin himself for each new poem. The texts came from epic stories of romance. Most were contrafacta based on pre-existing motets.
A solo singer accompanied by lute b. An ensemble of solo singers, one voice to a part c. A small choir, with a few voices to a part d. A large a capella choir of up to singers e. A large choir accompanied by organ. Which composer used solfege syllables to create the cantus firmus for two masses? Josquin c. Busnoys d.
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